Painted on lightly sized canvas, the composition explores light in an otherworldly landscape.
Available for acquisition £3000
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Painted on lightly sized canvas, acid blues explores the colour blue in a forest with trees which loom over an overgrown bungalow. Built up in small brushmarks which sculpt out the forms in tonal scale from light to dark.
Available for acquisition £2000
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Waiting is a painting which hangs on a dusty afternoon as the shadows grow longer. Layers of oxide yellow lake and cadmium lemon, Prussian blue and emerald green.
Available for acquisition £600
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Swamp house explores blue, lunar-like light and reflections.
Available for acquisition and includes a white tray frame £1800
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Canary blue is available for acquisition £100
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No.5 is available for acquisition £120
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Into the woods is available for acquisition £120
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Viridian and rose with the TV house
Available for acquisition £180
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Light creep is built up in layers focused on fragmented space. The building is borrowed from Marcel Breuer; a kind of love letter to Modernism, something beautiful slowly engulfed in the folds of memory and yet shaping everything we know.
Available for acquisition £3500
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The watcher is about power interplay, privacy and our inevitable connectedness. Playing with scale and surreal disjuncture in the landscape, the big mushroom looms brightly either protecting or holding the architecture beneath its canopy.
Available for acquisition £2500
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Dawn was based on glazes by west Germany pottery which permeated the memories of my childhood, colours prevalent in wallpaper patterns, carpets and fabrics of the seventies.
Available for acquisition £2000
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Flash and candy floss pink sky somewhere in the far future.
Available for acquisition £2500
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Lucazade bungalow is based on the lucazade street lighting which used to be popular in the nineties. I wanted to clash a natural morning light with this in an everyday setting. Running each morning during the autumn I saw this light shining on lots of sleeping bungalows.
This painting was built around a deep purple morning light that seemed to blanket everything in degrees of pinks and purples. Part of the post apocalypse series, the painting was made slowly, beginning in 2019 and completing at the start of 2020.
Now in private collection
Vermilion and carmine mix in a far away forest.
This painting investigates ideas of fragmented memory. Built up in layers and borrowing from photography, the work is created with many different types of mark making.
Available for acquisition £2000
Contact for details and shipping
Pastel colours with disorganised scale.
Pastel palette with a TV house. These smaller works play with colour and disorganised scale.
Now in private collection
Borrowed colours from an early Van Gogh painting and placing a library into wilderness. Painted in oils on stretched canvas.
Exploring artificial light falling on a forgotten little house
An isolated building cut and paste from the east bloc, left to the light and dark.
Available for acquisition £1800 not including shipping.
This painting is framed in a bespoke wooden tray frame.
Soft Cream is a painting of loss and the slipping of time.
This painting investigates the constant loss and love between a mother and child
In private collection
'Playhouse Blue' addresses subjects around isolation and displacement.
Exhibited at ING Discerning eye 2021
The landscape emerged through light and paint and is part of the post-apocalypse series.
In private collection
'As the light slipped' emerged around ideas of isolation, separation and beauty.
In private collection
Slipped meadow emerged around a sense of distance and isolation. A place far away and beautiful.
In private collection
The title centres around an electric sound and sense of a moment preceding an atomic blast.
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour.
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour.
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour.
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour.
These smaller works focus on the uncanny and place, somewhere familiar within light, shadow and colour.
Part of the post apocalypse series, the painting was built from fragments of spaces and light. Morning orange light with prussian blue shadows, a scene opening to a new and abandoned landscape. The normality of a bungalow at the first stages of receding back into nature.
I was thinking about the suspicion around colour, surface colour and the clown
This painting was selected for create magazine issue 14, winner in Jopp and appears on the front cover of the music album 'controlled hallucination' from the gasman.
Now in private collection
I wanted to create something distant and isolated, an incongruous place. Tents became an interesting theme because of their temporality, fragility and culture. Tents from my childhood evoke awkwardness for me and cold, damp nights.
Now in private collection
I wanted to create a space far away from life, out of place and time and still, perhaps, a place I would like to hide away within.
Interview with Jackson's painting
I found this building in East London. I was thinking a lot about Turner's paintings and the idea of the sublime in painting. Light became important for me in re-contextualising the everyday. Grey building was selected for Create Magazine issue 14 along with 'The Circus Within'
In private collection
Drawing and sketching is something I like to do for its immediacy and freedom to play, plan or think outside of my usual focus. Planting mushrooms smack bang in the middle of the suburbs or in a Le Corbusier landscape is something which may never happen in a painting, but can happen in a drawing.
The Atom Bomb sketches, Oak Ridge, Los Alamos, Hiroshima, Nagasaki. A series of drawings in fine line pen and white gel pen on grey sugar paper. Current day suburbs of the secret cities Los Alamos and Oak Ridge which produced the atom bomb to drop on Hiroshima and Nagasaki in August 6 and 9 1945.
Part of the monochrome series about colour and the colourless. There is something about drawing in this for me, the movement of the brush on the surface became drawn lines. This painting was exhibited in Salzburg for 17-19 Hz with Amanda Burzic
Available. POA
Part of the monochrome series, this became very much about large scale drawing in paint. It was exhibited in Salzburg for 17-19 Hz with Amanda Burzic
Available. POA
Fence is one of the large scale drawing paintings made within the monochrome series. It was exhibited in the exhibition infrasonic 17-19 Hz at Periscope in Salzburg 2018 with Amanda Burzic
Available, POA
Public toilets was exhibited at Periscope, Salzburg for 17-19 Hz with Amanda Burzic. The five paintings in the show became a series about colour and line and were very much about large scale drawing in oil paint.
Available. POA
One of the five monochrome paintings which was exhibited at Periscope, Salzburg for the 17-19 Hz exhibition with Amanda Burzic in May 2018. The series was about the space between drawing and painting and what happens when colour is removed.
Available. POA
Part of the monochrome series. I was looking at colour in painting by removing it and retaining a painterliness
Winner in NOA 2017 for the south of England
Addressing subjects of isolation and displacement. Part of the monochrome series lifting spaces from the real and imagined.
Corner is one of the first of the monochrome series. It was featured in FreshPaintMagazine June 2016 along with 'Block'. It is now in private collection.
One of the first of the monochrome series. Now in private collection
The first of the monochrome series. I painted this at home when the children were very young on a canvas with their poster paints. It was featured in FreshPaintMagazine June 2016 along with 'Corner'. Block is now in private collection.
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